Juan Pablo Pacheco Bejarano (Bogotá, 1991) is a visual artist and writer whose research investigates the historical, material, and poetic intersections between technology and the biosphere. Through texts, videos, and web projects, his work dives more specifically into the decolonial options that emerge from the deep relations between water, the internet, and telepathy. Juan Pablo has also produced transdisciplinary and collaborative laboratories, which seek to promote the critical appropriation of and experimentation with various digital and analogue technologies.
Juan Pablo Pacheco Bejarano (Bogotá, 1991) es un artista visual y escritor cuya investigación indaga en las intersecciones históricas, materiales y poéticas entre la tecnología y la biosfera. A través de textos, vídeos y proyectos web, su trabajo se sumerge más específicamente en las opciones decoloniales que surgen de las profundas relaciones entre el agua, la internet y la telepatía. Juan Pablo también ha producido laboratorios transdisciplinarios y colaborativos, que buscan promover la apropiación y experimentación crítica de diversas tecnologías análogas y digitales.
EDUCATION
2019 — 2021 > Master of Arts (MA) in Media Arts Cultures. Erasmus Joint Masters Program. Danube University (Austria), Aalborg University (Denmark), and University of Łódź (Poland)
2014 — 2016 > Master of Fine Arts (MFA) in studio art. San Francisco Art Institute (USA)
2010 — 2014 > Bachelor of Arts (BA) in Film Studies and Cultural Studies. Connecticut College (USA)
2012 > Semester at the Anthropology and Film departments at Paris VII – Denis Diderot (France)
WORK AND TEACHING EXPERIENCE
2017-2022 > Adjunct professor. Visual Arts Department. Pontificia Universidad Javeriana (Bogotá, Colombia)
2022 > Adjunct professor. Digital Narratives Department. Universidad de los Andes (Bogotá, Colombia)
2019-2022 > Programming coordinator. Espacio Odeón (Bogotá, Colombia)
2017-2019 > Project coordinator. Plataforma Bogotá (Bogotá, Colombia)
2016-2019> Curator and assessor. Artbox Digital (Dakar, Senegal)
2015 – 2016 > Archivist, video producer, and advisor. Ohlone Profiles Project (San Francisco, USA)
AWARDS AND RESIDENCIES
2022 > Residency at the Jan Van Eyck academie
2021 > PACT Zollverein JUNCTIONS 21 research fellowship with Bruno Alves de Almeida (Germany)
2020 > Summer School residency with laagencia at Rib, Rotterdam (The Netherlands)
2019 > Erasmus Joint Masters scholarship (Austria, Denmark, and Poland)
2014 > San Francisco Art Institute institutional scholarship (USA)
2014 > COLFUTURO and PROIMÁGENES scholarship (Colombia)
SELECTED ARTIST TALKS
2022
> “Ruins under the Atlantic: cables, frontiers and ruins”. At the International Symposium on Electronic Arts (ISEA), Barcelona (Spain) upcoming
> “When technology becomes a ruin on the ocean floor”. At Rossella Biscotti’s exhibition The Joruney. Curated by Daniel Blanga- Gubay at Kunstenfestivaldesarts, Brussels (Belgium)
> “Technoterritories: cables, screens and water”. Lecture and workshop as a guest professor at the Willem de Kooning Academy (WDKA), Rotterdam (The Netherlands)
2021
> “Telepathy without the internet” (min. 10:30) at the School of Telepathy curated by Daniel Blanga Gubbay for the Ural Biennial, Yekaterinburg (Russia)
> Artist talk + workshop on mythology and technological infrastructures. At a.pass, Brussels (Belgium)
> Artist talk on cables, bunkers, ruins, and myth. At varia, Rotterdam (The Netherlands)
> “Derivas submarinas” con Enar de Dios Rodríguez en LABoral: Centro de arte y creación industrial (Spain)
> “Telepathic and decolonial speculations around technoscience”. Schizo-Shamanic Alliances. Module supported by L’École Universitaire de recherche ArTeC (Colombia-France)
2020
> “Wet Networks_Oceans, telepathy, and technology”. Assembly at IMPACT20: Planetary Alliances (Germany)
> “Especulaciones materialistas desde la basura electrónica a los fermentos”. Con Sensolab. Do lixo ao arquivo: de imagens, restos e coisas. ACHO: Arquivo Coleções de Historias Ordinarias (Brasil)
> “Redes Acuosas_Especulaciones eco-tecnológicas”. Seminario internacional: Rutas para apreciar la realidad y hacer-se efectiva: imagen, oralidad, danza y ciencia ficción. UNAM (México)
> “Telepatía sin internet”. Junto con Barbara Santos, Juan Cortés y Santiago Arcila. N-menos1 (Colombia)
> “Net art hoy”. Seminario creación medios digitales. Banco de la República (Colombia)
> “Hunting Networks”. PhD Workshop on Research Networks (min 18:30). Transmediale (Germany)
2017
> “Archivos digitales, el agua y la (re)significación del espacio virtual”. I Seminario Internacional de Investigación en Arte y Cultura (Uruguay)
2016
> “Archivos digitales: espacios virtuales, condiciones materiales y la inestabilidad del conocimiento”. I Banal de Arquitectura. CAMPO (Colombia)
SELECTED SHOWS
2022
> Fracaso, Curated by Iñaki Chávarri Urrutia. ARTBO sede Chapinero (Colombia) upcoming
> Possibles, official selection of short films for the Symposium on Electronic Arts (ISEA), Barcelona (Spain) upcoming
2021
> JUNCTIONS21: Urgent Translations. At PACT Zollverein in Essen (Germany)
> Artifacts. Curated by Barbara S. Krulik and Mildred Durán. Galería Casa Hoffman (Colombia)
> Waters of Change. Disappearing Dialogues Collective and Media Art South Asia (India+UK)
> Video selection for Interespecies: Festival Internacional de la Imagen de Manizales (Colombia)
> Tecnodiversidad. Curated by Juaniko Moreno and 陈天琪 (Chen Tian Qi). Galería Santa Fe online (Colombia/China)
> Armonogramas. Experimental music album curated by Jorge Barco, edited by Eter Lab (Colombia)
2020
> Escaleras Futuras. Curated by MSD at the Galería Santa Fe (Colombia)
> Sensoria. Curated by Juan Covelli and Juan Cortés for ARTBO (Colombia)
> Videolimbo. Museo de Arte Carrillo Gil (México)
> Mediate: in betweenness. Possible Future Lab (Denmark)
2019
> Artificial Nature. Internet Moon Gallery. Curated by Juan Covelli for The Wrong Biennale (online)
> Artecámara. ARTBO. Curaduría de Helena Producciones (Colombia)
> Cibercorporalidades. Curaduría de Felipe César Londoño. Alianza Francesa (Colombia)
> The Glass Room Bogotá. Estación Terrena (Colombia)
2018
> Debes seguir. No puedo seguir. Seguiré. Curaduría de Alejandra Sarria. Espacio Odeón (Colombia)
> Most Things Happens When I’m Asleep. Participation with laagencia. Artspace (New Zealand)
> Nuevos Nombres 2. Museo de Arte Miguel Urrutia. Banco de la República (Colombia)
> Future Perfect. Hygienic Art Gallery (USA)
2017
> Transacciones informales. Cinemateca Distrital (Colombia)
> Lluvia de Sobres. Cámara de Comercio de Kennedy (Colombia)
2016
> I Banal de Arquitectura. CAMPO (Colombia)
> Cloud Archives. Residence/SF (USA)
> Encounters: Portraits and Identity. Embark Gallery (USA)
2015
> Crank! Southern Exposure (USA)
> Paranoia. Diego Rivera Gallery (USA)